World’s oldest cave art discovered in Indonesia, new study finds
NEW YORK – A team of Indonesian and Australian researchers has discovered handprints on cave walls in Sulawesi, Indonesia, dating back at least 67,800 years. The findings may represent the oldest rock art ever studied.
The brown-hued stencils were created by blowing pigment over a hand pressed against the cave wall, leaving a distinct outline. Some of the fingertips in the prints were modified to appear pointed, suggesting a sophisticated prehistoric artistic culture existed on the island.
To determine the age of the artwork, researchers analyzed mineral layers that formed over the stencils.
Genevieve von Petzinger, an independent paleoanthropologist, expressed excitement over the study, stating the discovery "fits with everything" she has been considering regarding early human history.
The discovery raises new questions about the timing and development of cognitive abilities and artistic expression in early humans.
Saigon Sentinel Analysis
The discovery in Sulawesi represents more than a mere chronological milestone; it serves as a fundamental challenge to the long-standing Eurocentric orthodoxy in human art history. For decades, the caves of Lascaux and Chauvet in France and Spain were positioned as the definitive cradles of symbolic expression. However, the Indonesian findings, which predate these sites by millennia, suggest that sophisticated artistic capability was not a European innovation. Instead, this evidence indicates that creative intelligence likely developed independently, or perhaps even earlier, as modern humans migrated across the globe from Africa.
The technical sophistication revealed—specifically the use of pigment-blowing techniques and the deliberate modification of images, such as the tapering of finger depictions—demonstrates that these works were not incidental. They signify a purposeful symbolic culture, one capable of abstract reasoning and the visual transmission of complex ideas. This effectively reframes the Wallacea region of maritime Southeast Asia; it was not merely a transit corridor for the migration toward Australia, but a pivotal nexus of human cultural evolution in its own right.
For the scientific and policy communities, these findings address a critical void in the narrative of human origins. They reinforce the conclusion that creative capacity and symbolic communication are not regional breakthroughs but are foundational, ancient components of human nature that manifested globally.